Books, Exhibitions, Inspiration, mending, Stocktaking, Textiles

Reflections: 2017’s good stuff

The kids are back at school, I’ve had a massive clean-out in the studio, and I’m gearing up for some long studio sessions to make work for some exhibitions that are coming up later in the year. I’m just putting the finishing touches on workshop plans for children and adults so will let you know about those soon.

Over the Christmas break I have been doing the usual reflections on the previous year, taking stock and planning for the next. So … I thought it timely to share a few of the highlights and interesting things I’ve encountered before launching into 2018 proper.

EXHIBITIONS

Some standout exhibitions from 2017. So different but so good!

Piksa Niugini, Stephen Dupont: Darwin Museum and Art Gallery; The House of Dior: Seventy Years of Haute Couture: National Gallery of Victoria; Interior Landscapes, Elisabeth Cummings: Orange Regional Gallery.

OTHER ARTISTS, AND OTHERWISE GENERALLY INTERESTING PEOPLE

Darn and Dusted

Check out the video of Luke Deverell’s fantastic mending enterprise.

dust-darned-5-thumb-620x443-83679

Tom of Holland

Another mending guru. Self-taught but with a penchant for the very precise.

Tom_teatowelprocess2

Hanne Friis

Norwegian textile artist extraordinaire. Oh my God. So beautiful I think I’m going to die.

b8a9c0a46fc238d54e848f199d6a6301--hanne-friis-needlework

UNEXPECTED INSPIRATION

From nature – of all places.

Koszi_1  Koszi_2

Kosciuszko National Park, long (v.e.r.y. long) walks amongst the wildflowers and lakes. The price you pay for silence and serenity…

Litchfield waterfall

Litchfield National Park, Northern Territory.

BOOKS

2017 books

Working Class Man (and its prequel, Working Class Boy), Jimmy Barnes

Oh my God! These books are a compelling, gutsy, and raw insight into poverty, violence  and neglect, and the possible consequences for those caught up in that web. A brave revelation of the reality so many human beings face. Much food for thought.

The Last Girl, Nadia Murad

Another Oh. My. God. account of life from another world. Nadia’s story is a seriously courageous one, describing the murder of much her village’s population, and her kidnap and sexual slavery along with all the young girls from her village. Her account of her escape is chilling, and all the more haunting as few of her peers have been as lucky.

All the Light We Cannot See, Anthony Doerr

I loved this and couldn’t put it down, but was ever so slightly underwhelmed at the ending.

Alone in Berlin, Hans Fallada

An insidious and chilling account of life in Berlin during World War 2: trying to live your life while trust and humanity evaporate around you at a rate of knots.

The Art Rules, Paul Klein

Some pretty decent, practical advice for artists here.

The Good People, Hannah Kent

An absorbing story about rural Irish farmers and their beliefs, although I didn’t find it quite as thrilling, or as heartbreaking, as her first novel, Burial Rites.

First We Make the Beast Beautiful, Sarah Wilson

An inside view of living with anxiety. Pretty compelling, especially if you know someone who is dealing with it. Quirks, weirdness and acceptance all thrown together.

Practical home Mending Made Easy, Mary Brooks Picken

Said to be a mending bible. It’s certainly thorough! One for my textile reference library.

Fashion and Orientalism, Adam Geczy

Meticulously researched history of oriental influences on Western clothing. Authored by my old lecturer!

The Textile Reader, Jessica Hemmings (ed.)

This is a gem. I’ve only just started it but am thoroughly fascinated by it. Recommended to anyone interested in textile theory.

Now I’ve got all that off my chest, and the decks are almost cleared, I’m looking forward to getting down to work in the studio.

 

 

 

 

 

 

 

 

 

SaveSave

Advertisements
Standard
Artists, Books, Galleries, Stocktaking

Ready for renewal

img_4271Noumea’s pristine waters

What a year. A big jumble of highs and lows, moving too fast, and either scrambling to keep up or rejecting the hype and opting for some hibernation. I’m guilty on all counts.

After a week doing lots of nothing by a pool in Noumea, surviving the Christmas chaos,  and with  head swirling with ideas, I’m mending the error of my ways. To make up for my lack of blogging the past couple of months I thought a good old stocktake of brain food might be in order. So here goes.

Some of the most interesting and thought provoking exhibitions I’ve seen this year:

img_2245   img_2180Biennale of Sydney (Chiharu Shiota on the left)
img_2314  img_236721_21 Design Sight, Tokyo (We Make Carpets on the left), and antique boro textiles exhibition at Amuse Museum, Tokyo
img_3112    img_31142015 Parliament  of NSW Aboriginal Art Awards, Gallery Lane Cove, Sydney
IMG_3569.JPG    img_3567Shona Wilson, Arthouse Gallery, Sydney
img_3947   img_3941   img_3940   On the Origins of Art, MONA, Hobart (until April 17, 2017)
img_4147   img_4140Slipstitch, Mosman Regional Art Gallery, Sydney (Sera Waters, left and Jane Theau, right). (until January 29, 2017)

Now for a line up of some of the books I’ve read this year – at least the ones I can remember (in no particular order):

The Streetsweeper (Elliot Perlman). A great read. Loved it. Hard to put down.

If This is a Man (Primo Levi) – again. Graphic and raw. So readable and well written.

The Truce (Primo Levi). See above.

Burial Rites (Hannah Kent). Amazing storyteller. Just amazing.

Dinner with Edward (Isabel Vincent). A gorgeous account of a very special friendship. A delight to read.

The Good People (Hannah Kent). See Burial Rites above.

Thirteen Ways of Looking (Colum McCann). Great Irish writer.

Wardrobe Crisis (Clare Press). Really interesting read on the appalling waste that our clothing mania creates, but woefully edited.

Productivity for Creative People (Mark McGuinness). Recommended.

Motivation for Creative People (Mark McGuinness). See above.

And now the partly read ones (sometimes I do get back to finish that stack next to the bed…):

The Buried Giant (Kazuo Ishiguro). Not happening for me yet…

The Glass Room (Simon Mawer). Can’t seem to get going with this. Characters are cold.

Resilience (Mark McGuinness). Work.

The Art Rules (Paul Klein). More work.

Mortality (Christopher Hitchens). I’ve been lazy here (or avoiding the subject).

Exit Wounds (John Cantwell). See above.

Dog Days (Ross Garnaut). See above.

How Proust Can Change Your Life (Alain de Botton). Delightful. See below.

Fashion and Orientalism (Adam Geczy). Got to get back into this one.

So much richness to be thankful for, and so much to look forward to. So many ideas to process. Year’s end really is a perfect time for renewing optimism for the possibilities ahead. I hope that in 2017 you find yourself inhabiting a space where you genuinely feel you’re meant to be, doing just what you’re meant to, surrounded by people who support you.

Very best wishes for a creative, thoughtful and harmonious 2017, and I look forward to sharing fortnightly blog posts with you throughout the year.

 

Standard
Books

A bit of insight never goes astray

Creativity books

Sometimes I find I’m drawn to analysing why I do (or don’t do) things. Over the past few months I’ve been reading, amongst other books, some real crackers on the processes of creativity. I thought I’d share them with you, as they’re bound to resonate with you other creative folk out there.

If you haven’t already read it, Austin Kleon‘s most recent book Show Your Work is a deceptively simple, practical encouragement guide to getting out of your shell. He has a nice, friendly, in-your-face way of getting the message across.

(Workman Publishing Company, New York, 2014)

#showyourwork

Art & Fear: observations on the perils (and rewards) of artmaking really probes into what’s behind your work, identifying your fears, artist’s block, and the processes of making art and generally leading a creative life. David Bayles and Ted Orland have put together a study in the psychology of being an artist that is reassuring, insightful, and at times a little confronting. My copy is the 14th printing, so what more can I say?

(Image Continuum Press Edition, Santa Cruz CA & Eugene OR, 14th printing 2014)

Right now I’m reading Twyla Tharp‘s The Creative Habit: learn it and use it for life. It has lots of insights into her creative process and career hiccups, exercises to challenge your creative thinking, and some sound advice thrown in too. Not to mention the roles of generosity and valuing yourself and others. So far I’m only a quarter of the way through but it’s obvious already it’s a winner.

(Simon & Schuster Paperbacks, New York, 2006)

They’re well worth hunting down if you’re not familiar with these titles. I’d love to hear your opinions if you’ve read any of them. Have they raised questions for you about your work or the way you practice? Have you found them of value?

Standard