Art classes, Art spaces, contemporaryart, Exhibitions, Galleries, Textiles, upcycling, workshops

Mid-show reminder: Stories We Tell Ourselves

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Hello again.

My exhibition Stories We Tell Ourselves is in the middle of its run at 541 Art Space (Level 1, 541 Kent Street, Sydney, www.541artspace.com.au). If you haven’t yet seen it, you’ll need to get a move on. It closes on Saturday September 22.

I’m running one more textile workshop on the final day. If you’re interested in coming along please contact the gallery: 541artspace_program@nanhaimedia.com (closing drinks are included!).

In the meantime here are some images from the opening night.



Much gratitude goes to Alison Clark, Team Leader Arts and Culture North Sydney Council, for her thoughtful and eloquent opening speech.

Below are a couple of images from the first workshop. Mounds of linen, textile scraps and yarn – a lovely way to spend a spring afternoon!


I hope you get to see the exhibition. I’d love to know what you think.

Warm wishes,

www.rhondapryor.com

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Art spaces, contemporaryart, Exhibitions, Galleries, Textiles, upcycling, workshops

Exhibition reminder and a special workshop offer…

 

Only a few days to go until my exhibition Stories We Tell Ourselves opens at 541 Art Space. I hope you can come.

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To complement the exhibition I’ll be running two three-hour stitch workshops on Saturday 8th and Saturday 22nd September.

541 Art Space is very generously offering my subscribers a 20% discount on the price of these sessions. All you need to do is click on this link to book. When purchasing your ticket click “enter promotional code” and enter the promotion code “RHONDA” to claim your 20% discount.

Here are the workshop details:

Stories We Tell Ourselves stitch workshops

Saturday 8th September, 12-3 pm (includes afternoon tea)
Saturday 22nd September,12-3 pm (includes exhibition closing drinks)

At 541 ART SPACE, Level 1, 541 Kent Street Sydney

Spend an afternoon stitching an abstract artwork that reflects your own unique story. You are encouraged to bring along any personal or used fabric or garments that are meaningful to you in some way (that you won’t mind cutting up). We’ll explore shape, colour, composition and memory to make a special piece of art or an experimental piece that will expand your creativity that little bit more.

All equipment and materials will be provided, including a selection of fabrics if you forget to bring some of your own.

Bookings are essential. Cost $25 + booking fee.

For more information please email 541artspace_programs@nanhaimedia.com

I hope to see you at this Friday’s opening (or at one of the workshops)!
All the best,

 

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Art classes, Artists, contemporaryart, Exhibitions, Galleries, mending, repair, Studio practice, Textiles, upcycling, workshops

Advance exhibition notice. Save the date!

Hello there.

I want to tell you about my upcoming solo exhibition Stories we tell ourselves. With the crazy-busy lives we all lead these days I thought I’d give you time to schedule it into your diaries if you can.

This body of work examines the relationship between worn and discarded cloth, their poignant associations with memory, and the narratives they generate. Each piece represents a unique story, imperfectly remembered, translated into ‘pictures’ of moments in time, and readings of relationships.

Here are the details:

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And here are a few images of work in progress. I hope they pique your curiosity!

I’ll be running a couple of textile art making workshops during the exhibition too. I’ll post more details closer to the opening (August 31).

Warm wishes,

RP signature_tiny

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Rhonda Pryor, Reminders, installation
Art classes, Exhibitions, Textiles, workshops

Reminders resurrected

I’m delighted to re-exhibit my 2013 work Reminders in the Inside Outside Sculpture Plinth in North Sydney’s Civic Park. The work is now configured differently inside its new glass display case: less that half its original size and without the rusty wire roses.

This piece, originally made as a site specific installation for the Hidden exhibition at Rookwood Cemetery, employs the concept of the veil, alluding to the crossing from life to the state of death. The film of sheer organza is embroidered with handwritten words and phrases, obtained from the personal correspondence of various members of my  family, that relate to the loss of loved ones.

Here are some day and night photographs in its new display location.

The original work wrapped around a tree and was staked to the ground with rusty wire twisted into the shape of roses.

The newly configured work will be on display in Civic Park for the next few weeks.

On another note: the Public Programs for my residency at the Coal Loader Centre for Sustainability have been finalised. You can click on this link to see when Open Studio days are scheduled, and check out the free workshops I’m offering for adults and children.

For a more comprehensive update on planned classes and workshops at various locations please check out this link to the News section of my website. I’m now offering an adults’ term class in creative processes at Ku-Ring-Gai Art Centre, as well as an assortment of stand alone workshops.

I hope you get to see Reminders while it’s on show in North Sydney. I’d love you to get in touch and let me know what you think!

 

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Books, Exhibitions, Inspiration, mending, Stocktaking, Textiles

Reflections: 2017’s good stuff

The kids are back at school, I’ve had a massive clean-out in the studio, and I’m gearing up for some long studio sessions to make work for some exhibitions that are coming up later in the year. I’m just putting the finishing touches on workshop plans for children and adults so will let you know about those soon.

Over the Christmas break I have been doing the usual reflections on the previous year, taking stock and planning for the next. So … I thought it timely to share a few of the highlights and interesting things I’ve encountered before launching into 2018 proper.

EXHIBITIONS

Some standout exhibitions from 2017. So different but so good!

Piksa Niugini, Stephen Dupont: Darwin Museum and Art Gallery; The House of Dior: Seventy Years of Haute Couture: National Gallery of Victoria; Interior Landscapes, Elisabeth Cummings: Orange Regional Gallery.

OTHER ARTISTS, AND OTHERWISE GENERALLY INTERESTING PEOPLE

Darn and Dusted

Check out the video of Luke Deverell’s fantastic mending enterprise.

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Tom of Holland

Another mending guru. Self-taught but with a penchant for the very precise.

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Hanne Friis

Norwegian textile artist extraordinaire. Oh my God. So beautiful I think I’m going to die.

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UNEXPECTED INSPIRATION

From nature – of all places.

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Kosciuszko National Park, long (v.e.r.y. long) walks amongst the wildflowers and lakes. The price you pay for silence and serenity…

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Litchfield National Park, Northern Territory.

BOOKS

2017 books

Working Class Man (and its prequel, Working Class Boy), Jimmy Barnes

Oh my God! These books are a compelling, gutsy, and raw insight into poverty, violence  and neglect, and the possible consequences for those caught up in that web. A brave revelation of the reality so many human beings face. Much food for thought.

The Last Girl, Nadia Murad

Another Oh. My. God. account of life from another world. Nadia’s story is a seriously courageous one, describing the murder of much her village’s population, and her kidnap and sexual slavery along with all the young girls from her village. Her account of her escape is chilling, and all the more haunting as few of her peers have been as lucky.

All the Light We Cannot See, Anthony Doerr

I loved this and couldn’t put it down, but was ever so slightly underwhelmed at the ending.

Alone in Berlin, Hans Fallada

An insidious and chilling account of life in Berlin during World War 2: trying to live your life while trust and humanity evaporate around you at a rate of knots.

The Art Rules, Paul Klein

Some pretty decent, practical advice for artists here.

The Good People, Hannah Kent

An absorbing story about rural Irish farmers and their beliefs, although I didn’t find it quite as thrilling, or as heartbreaking, as her first novel, Burial Rites.

First We Make the Beast Beautiful, Sarah Wilson

An inside view of living with anxiety. Pretty compelling, especially if you know someone who is dealing with it. Quirks, weirdness and acceptance all thrown together.

Practical home Mending Made Easy, Mary Brooks Picken

Said to be a mending bible. It’s certainly thorough! One for my textile reference library.

Fashion and Orientalism, Adam Geczy

Meticulously researched history of oriental influences on Western clothing. Authored by my old lecturer!

The Textile Reader, Jessica Hemmings (ed.)

This is a gem. I’ve only just started it but am thoroughly fascinated by it. Recommended to anyone interested in textile theory.

Now I’ve got all that off my chest, and the decks are almost cleared, I’m looking forward to getting down to work in the studio.

 

 

 

 

 

 

 

 

 

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Artists, Exhibitions, Galleries, Inspiration, Studio practice, Textiles

Flowers on the brain

Some new work on the go in the studio. I don’t know whether it’s because it’s spring or I’ve been gripped by Modus Operandi Flora, but flowers have definitely caught my eye these past few months.

I’ve been playing with making flowers with velvet and voile which I’m in the throes of experimenting with in an en-masse kind of way.

The two images shown above are studio shots. Everything is very much in the development stage. Studio updates to follow.

Meanwhile – enjoy the view…

Below are some of the floral distractions I’ve loved of late. From the top: Hiromi Tango, AGNSW, kids art installation at Gallery Lane Cove, Sarah Contos, MAASKosuke Tsumura, H&M, and Juz Kitson.

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Hiromi Tango at the Japan Foundation’s Eco-Anxiety – Holding a Deep Breath

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Embroidery details from the Asian Gallery at the Art Gallery of New South Wales

 

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Kids art installation at Gallery Lane Cove

Detail of a Sarah Contos work at Roslyn Oxley 9 Gallery, Sydney


 

 

 

 

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Beautiful details at Love Is…Australian Wedding Fashion at Sydney’s Museum of Applied Arts & Sciences

 

H&M advertising poster

 

Juz Kitson at Sydney Contemporary

 

 

 

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Artists, Exhibitions, Galleries, Textiles, upcycling

It’s a wrap

Well, Sighting Memory has finished and its time to head back into the studio. The exhibition, with Sepideh Farzam at Gaffa Gallery in Sydney, was a fantastic experience. The gallery team at Gaffa are great to work with, and it was a real pleasure working with another artist who has such an affinity for cloth and feeling, and who produces such sensitive, unique work.

For those of you who were unable to make it to the gallery, you can see images of the works below. Most of these were taken by the very talented Marty Lochmann.

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A Close Marriage, 2017, reclaimed clothing, silks, pearl beads, thread, 203 x 110 cm. Photograph: Marty Lochmann.

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A Close Marriage, detail. Photograph: Marty Lochmann.

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Sighting Memory, installation view. Photograph: Marty Lochmann.

As mentioned in my previous post the exhibition focused on textiles and their ability to store and convey memory, a theme characterising both our practices.

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Familial, (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

My framed works were representations of people and relationships close to me. Using old textiles that struck me as meaningful and memory-charged, together with thread or yarn, I stitched and abstracted ‘portraits’. The combination of Belgian linen and hand painted frames make specific reference to the tradition of portrait painting.

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Verandah (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

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A Close Marriage, and Sepideh Farzam’s Principles, 2017, fabric, vest and thread, 91 x 114 cm.

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Sepideh Farzam’s Don’t Leave Me Alone, 2017 (left), fabric, pullover and thread, 58 x 148 cm, and Insomnia, 2017 (right), doormat, fabric and thread, 60 x 56 x 53 cm.

Sepideh’s work concentrates on female perspectives and extensively uses hand stitching. Her amazing work, Insomnia (pictured below), is an incredible piece – sadly, my photograph doesn’t do it justice.

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Sepideh Farzam’s Insomnia.

If you’d like to be informed of upcoming exhibitions and events please get in touch via the link at the top of the page. I’d love to meet you at one of these events.

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The artists. Photograph: Jon Johannsen.

 

 

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