Artists, Exhibitions, Galleries, Inspiration, Studio practice, Textiles

Flowers on the brain

Some new work on the go in the studio. I don’t know whether it’s because it’s spring or I’ve been gripped by Modus Operandi Flora, but flowers have definitely caught my eye these past few months.

I’ve been playing with making flowers with velvet and voile which I’m in the throes of experimenting with in an en-masse kind of way.

The two images shown above are studio shots. Everything is very much in the development stage. Studio updates to follow.

Meanwhile – enjoy the view…

Below are some of the floral distractions I’ve loved of late. From the top: Hiromi Tango, AGNSW, kids art installation at Gallery Lane Cove, Sarah Contos, MAASKosuke Tsumura, H&M, and Juz Kitson.

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Hiromi Tango at the Japan Foundation’s Eco-Anxiety – Holding a Deep Breath

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Embroidery details from the Asian Gallery at the Art Gallery of New South Wales

 

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Kids art installation at Gallery Lane Cove

Detail of a Sarah Contos work at Roslyn Oxley 9 Gallery, Sydney


 

 

 

 

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Beautiful details at Love Is…Australian Wedding Fashion at Sydney’s Museum of Applied Arts & Sciences

 

H&M advertising poster

 

Juz Kitson at Sydney Contemporary

 

 

 

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Artists, Exhibitions, Galleries, Textiles, upcycling

It’s a wrap

Well, Sighting Memory has finished and its time to head back into the studio. The exhibition, with Sepideh Farzam at Gaffa Gallery in Sydney, was a fantastic experience. The gallery team at Gaffa are great to work with, and it was a real pleasure working with another artist who has such an affinity for cloth and feeling, and who produces such sensitive, unique work.

For those of you who were unable to make it to the gallery, you can see images of the works below. Most of these were taken by the very talented Marty Lochmann.

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A Close Marriage, 2017, reclaimed clothing, silks, pearl beads, thread, 203 x 110 cm. Photograph: Marty Lochmann.

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A Close Marriage, detail. Photograph: Marty Lochmann.

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Sighting Memory, installation view. Photograph: Marty Lochmann.

As mentioned in my previous post the exhibition focused on textiles and their ability to store and convey memory, a theme characterising both our practices.

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Familial, (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

My framed works were representations of people and relationships close to me. Using old textiles that struck me as meaningful and memory-charged, together with thread or yarn, I stitched and abstracted ‘portraits’. The combination of Belgian linen and hand painted frames make specific reference to the tradition of portrait painting.

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Verandah (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

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A Close Marriage, and Sepideh Farzam’s Principles, 2017, fabric, vest and thread, 91 x 114 cm.

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Sepideh Farzam’s Don’t Leave Me Alone, 2017 (left), fabric, pullover and thread, 58 x 148 cm, and Insomnia, 2017 (right), doormat, fabric and thread, 60 x 56 x 53 cm.

Sepideh’s work concentrates on female perspectives and extensively uses hand stitching. Her amazing work, Insomnia (pictured below), is an incredible piece – sadly, my photograph doesn’t do it justice.

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Sepideh Farzam’s Insomnia.

If you’d like to be informed of upcoming exhibitions and events please get in touch via the link at the top of the page. I’d love to meet you at one of these events.

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The artists. Photograph: Jon Johannsen.

 

 

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Artists, Books, Galleries, Stocktaking

Ready for renewal

img_4271Noumea’s pristine waters

What a year. A big jumble of highs and lows, moving too fast, and either scrambling to keep up or rejecting the hype and opting for some hibernation. I’m guilty on all counts.

After a week doing lots of nothing by a pool in Noumea, surviving the Christmas chaos,  and with  head swirling with ideas, I’m mending the error of my ways. To make up for my lack of blogging the past couple of months I thought a good old stocktake of brain food might be in order. So here goes.

Some of the most interesting and thought provoking exhibitions I’ve seen this year:

img_2245   img_2180Biennale of Sydney (Chiharu Shiota on the left)
img_2314  img_236721_21 Design Sight, Tokyo (We Make Carpets on the left), and antique boro textiles exhibition at Amuse Museum, Tokyo
img_3112    img_31142015 Parliament  of NSW Aboriginal Art Awards, Gallery Lane Cove, Sydney
IMG_3569.JPG    img_3567Shona Wilson, Arthouse Gallery, Sydney
img_3947   img_3941   img_3940   On the Origins of Art, MONA, Hobart (until April 17, 2017)
img_4147   img_4140Slipstitch, Mosman Regional Art Gallery, Sydney (Sera Waters, left and Jane Theau, right). (until January 29, 2017)

Now for a line up of some of the books I’ve read this year – at least the ones I can remember (in no particular order):

The Streetsweeper (Elliot Perlman). A great read. Loved it. Hard to put down.

If This is a Man (Primo Levi) – again. Graphic and raw. So readable and well written.

The Truce (Primo Levi). See above.

Burial Rites (Hannah Kent). Amazing storyteller. Just amazing.

Dinner with Edward (Isabel Vincent). A gorgeous account of a very special friendship. A delight to read.

The Good People (Hannah Kent). See Burial Rites above.

Thirteen Ways of Looking (Colum McCann). Great Irish writer.

Wardrobe Crisis (Clare Press). Really interesting read on the appalling waste that our clothing mania creates, but woefully edited.

Productivity for Creative People (Mark McGuinness). Recommended.

Motivation for Creative People (Mark McGuinness). See above.

And now the partly read ones (sometimes I do get back to finish that stack next to the bed…):

The Buried Giant (Kazuo Ishiguro). Not happening for me yet…

The Glass Room (Simon Mawer). Can’t seem to get going with this. Characters are cold.

Resilience (Mark McGuinness). Work.

The Art Rules (Paul Klein). More work.

Mortality (Christopher Hitchens). I’ve been lazy here (or avoiding the subject).

Exit Wounds (John Cantwell). See above.

Dog Days (Ross Garnaut). See above.

How Proust Can Change Your Life (Alain de Botton). Delightful. See below.

Fashion and Orientalism (Adam Geczy). Got to get back into this one.

So much richness to be thankful for, and so much to look forward to. So many ideas to process. Year’s end really is a perfect time for renewing optimism for the possibilities ahead. I hope that in 2017 you find yourself inhabiting a space where you genuinely feel you’re meant to be, doing just what you’re meant to, surrounded by people who support you.

Very best wishes for a creative, thoughtful and harmonious 2017, and I look forward to sharing fortnightly blog posts with you throughout the year.

 

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