Art classes, Art spaces, contemporaryart, Exhibitions, Galleries, Textiles, upcycling, workshops

Mid-show reminder: Stories We Tell Ourselves

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Hello again.

My exhibition Stories We Tell Ourselves is in the middle of its run at 541 Art Space (Level 1, 541 Kent Street, Sydney, www.541artspace.com.au). If you haven’t yet seen it, you’ll need to get a move on. It closes on Saturday September 22.

I’m running one more textile workshop on the final day. If you’re interested in coming along please contact the gallery: 541artspace_program@nanhaimedia.com (closing drinks are included!).

In the meantime here are some images from the opening night.



Much gratitude goes to Alison Clark, Team Leader Arts and Culture North Sydney Council, for her thoughtful and eloquent opening speech.

Below are a couple of images from the first workshop. Mounds of linen, textile scraps and yarn – a lovely way to spend a spring afternoon!


I hope you get to see the exhibition. I’d love to know what you think.

Warm wishes,

www.rhondapryor.com

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Art spaces, contemporaryart, Exhibitions, Galleries, Textiles, upcycling, workshops

Exhibition reminder and a special workshop offer…

 

Only a few days to go until my exhibition Stories We Tell Ourselves opens at 541 Art Space. I hope you can come.

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To complement the exhibition I’ll be running two three-hour stitch workshops on Saturday 8th and Saturday 22nd September.

541 Art Space is very generously offering my subscribers a 20% discount on the price of these sessions. All you need to do is click on this link to book. When purchasing your ticket click “enter promotional code” and enter the promotion code “RHONDA” to claim your 20% discount.

Here are the workshop details:

Stories We Tell Ourselves stitch workshops

Saturday 8th September, 12-3 pm (includes afternoon tea)
Saturday 22nd September,12-3 pm (includes exhibition closing drinks)

At 541 ART SPACE, Level 1, 541 Kent Street Sydney

Spend an afternoon stitching an abstract artwork that reflects your own unique story. You are encouraged to bring along any personal or used fabric or garments that are meaningful to you in some way (that you won’t mind cutting up). We’ll explore shape, colour, composition and memory to make a special piece of art or an experimental piece that will expand your creativity that little bit more.

All equipment and materials will be provided, including a selection of fabrics if you forget to bring some of your own.

Bookings are essential. Cost $25 + booking fee.

For more information please email 541artspace_programs@nanhaimedia.com

I hope to see you at this Friday’s opening (or at one of the workshops)!
All the best,

 

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Art classes, Artists, contemporaryart, Exhibitions, Galleries, mending, repair, Studio practice, Textiles, upcycling, workshops

Advance exhibition notice. Save the date!

Hello there.

I want to tell you about my upcoming solo exhibition Stories we tell ourselves. With the crazy-busy lives we all lead these days I thought I’d give you time to schedule it into your diaries if you can.

This body of work examines the relationship between worn and discarded cloth, their poignant associations with memory, and the narratives they generate. Each piece represents a unique story, imperfectly remembered, translated into ‘pictures’ of moments in time, and readings of relationships.

Here are the details:

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And here are a few images of work in progress. I hope they pique your curiosity!

I’ll be running a couple of textile art making workshops during the exhibition too. I’ll post more details closer to the opening (August 31).

Warm wishes,

RP signature_tiny

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Rhonda Pryor, Reminders, installation
Art classes, Exhibitions, Textiles, workshops

Reminders resurrected

I’m delighted to re-exhibit my 2013 work Reminders in the Inside Outside Sculpture Plinth in North Sydney’s Civic Park. The work is now configured differently inside its new glass display case: less that half its original size and without the rusty wire roses.

This piece, originally made as a site specific installation for the Hidden exhibition at Rookwood Cemetery, employs the concept of the veil, alluding to the crossing from life to the state of death. The film of sheer organza is embroidered with handwritten words and phrases, obtained from the personal correspondence of various members of my  family, that relate to the loss of loved ones.

Here are some day and night photographs in its new display location.

The original work wrapped around a tree and was staked to the ground with rusty wire twisted into the shape of roses.

The newly configured work will be on display in Civic Park for the next few weeks.

On another note: the Public Programs for my residency at the Coal Loader Centre for Sustainability have been finalised. You can click on this link to see when Open Studio days are scheduled, and check out the free workshops I’m offering for adults and children.

For a more comprehensive update on planned classes and workshops at various locations please check out this link to the News section of my website. I’m now offering an adults’ term class in creative processes at Ku-Ring-Gai Art Centre, as well as an assortment of stand alone workshops.

I hope you get to see Reminders while it’s on show in North Sydney. I’d love you to get in touch and let me know what you think!

 

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Art spaces, Kids, Textiles, upcycling, workshops

New classes, new art centre

It’s been a full-on start to 2018. New workshops are planned, a refurbished art centre I’m involved with is nearing completion, and I have new work in development for exhibitions in the second half of the year.

Firstly, its amazing to see the progress of the refurbishment of a building in my local area (Lane Cove in Sydney) for a creative art centre where both practitioners and community can make,  practice, and  explore their creative potential. As a member of the Centrehouse Management Committee and its refurbishment sub-committee, it has been a bit of a long slog getting the new Gallery Lane Cove + Creative Studios building happening.

But this week’s site visit has made it all seem within reach at last. (Big pats on the back for all the fantastic committee members and Lane Cove Council staff who have made this happen!).

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The huge, light-filled painting and drawing studio.

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The textile studio.

With studios that will accommodate painting and drawing classes, textile practice, printmaking and ceramics, as well as space for practising visiting artists, the new centre will replace the old Centrehouse Community Art Centre facilities and be located on two floors beneath the existing (and recently renovated) Gallery Lane Cove.

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One of the artist-in-residence spaces.

On track to open mid year, the centre will be a welcome addition to the fast-developing northern Sydney region. Stay tuned for news about all the opening events!

I also have some new workshops coming up in the next couple of months I want to let you know about. Click on the links for more information and bookings.

Friday 23 March

Stitch Drawing on Fabric and Paper

Creating Wellbeing Program (free workshop), North Sydney Community Centre

 

Wednesday 11 April

Looking at Water: Memory Loss and Dementia Art Session

Kirribilli Neighbourhood Centre

 

Thursday 12 April

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Boro Bag Workshop for Adults

Workshop Arts Centre

 

Monday 16 April

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Slow-Stitch Apron Workshop for kids (course #95)

Ku-Ring-Gai Arts Centre

 

Wednesday 18 April

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Making Memories with my Grandchild Workshop

Art Space on the Concourse, Chatswood

More details to follow…

 

Thursday 19 April

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Slow-Stitch Tote Bag Workshop for kids

Workshop Art Centre

 

Monday 23 April

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Slow-Stitch Apron Workshop for kids (course #108)

Ku-Ring-Gai Arts Centre

 

Thursday 26 April

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Slow-Stitch Tote Bag Workshop for kids

Workshop Art Centre

 

Can’t wait to see you or your kids at one of the workshops!

 

 

 

 

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Books, Exhibitions, Inspiration, mending, Stocktaking, Textiles

Reflections: 2017’s good stuff

The kids are back at school, I’ve had a massive clean-out in the studio, and I’m gearing up for some long studio sessions to make work for some exhibitions that are coming up later in the year. I’m just putting the finishing touches on workshop plans for children and adults so will let you know about those soon.

Over the Christmas break I have been doing the usual reflections on the previous year, taking stock and planning for the next. So … I thought it timely to share a few of the highlights and interesting things I’ve encountered before launching into 2018 proper.

EXHIBITIONS

Some standout exhibitions from 2017. So different but so good!

Piksa Niugini, Stephen Dupont: Darwin Museum and Art Gallery; The House of Dior: Seventy Years of Haute Couture: National Gallery of Victoria; Interior Landscapes, Elisabeth Cummings: Orange Regional Gallery.

OTHER ARTISTS, AND OTHERWISE GENERALLY INTERESTING PEOPLE

Darn and Dusted

Check out the video of Luke Deverell’s fantastic mending enterprise.

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Tom of Holland

Another mending guru. Self-taught but with a penchant for the very precise.

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Hanne Friis

Norwegian textile artist extraordinaire. Oh my God. So beautiful I think I’m going to die.

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UNEXPECTED INSPIRATION

From nature – of all places.

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Kosciuszko National Park, long (v.e.r.y. long) walks amongst the wildflowers and lakes. The price you pay for silence and serenity…

Litchfield waterfall

Litchfield National Park, Northern Territory.

BOOKS

2017 books

Working Class Man (and its prequel, Working Class Boy), Jimmy Barnes

Oh my God! These books are a compelling, gutsy, and raw insight into poverty, violence  and neglect, and the possible consequences for those caught up in that web. A brave revelation of the reality so many human beings face. Much food for thought.

The Last Girl, Nadia Murad

Another Oh. My. God. account of life from another world. Nadia’s story is a seriously courageous one, describing the murder of much her village’s population, and her kidnap and sexual slavery along with all the young girls from her village. Her account of her escape is chilling, and all the more haunting as few of her peers have been as lucky.

All the Light We Cannot See, Anthony Doerr

I loved this and couldn’t put it down, but was ever so slightly underwhelmed at the ending.

Alone in Berlin, Hans Fallada

An insidious and chilling account of life in Berlin during World War 2: trying to live your life while trust and humanity evaporate around you at a rate of knots.

The Art Rules, Paul Klein

Some pretty decent, practical advice for artists here.

The Good People, Hannah Kent

An absorbing story about rural Irish farmers and their beliefs, although I didn’t find it quite as thrilling, or as heartbreaking, as her first novel, Burial Rites.

First We Make the Beast Beautiful, Sarah Wilson

An inside view of living with anxiety. Pretty compelling, especially if you know someone who is dealing with it. Quirks, weirdness and acceptance all thrown together.

Practical home Mending Made Easy, Mary Brooks Picken

Said to be a mending bible. It’s certainly thorough! One for my textile reference library.

Fashion and Orientalism, Adam Geczy

Meticulously researched history of oriental influences on Western clothing. Authored by my old lecturer!

The Textile Reader, Jessica Hemmings (ed.)

This is a gem. I’ve only just started it but am thoroughly fascinated by it. Recommended to anyone interested in textile theory.

Now I’ve got all that off my chest, and the decks are almost cleared, I’m looking forward to getting down to work in the studio.

 

 

 

 

 

 

 

 

 

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Artists, Inspiration, Studio practice, Textiles, upcycling

Fragments and Patches

I want to share with you visual art and textile lovers a couple of intriguing articles I’ve come across of late.

The first is a piece in issue number 77 of Selvedge magazine, Keeping Body and Soul Together. If you don’t have access to a print copy you can see an abbreviated version of the article here, under the title Going Going Ge Ba. With the most beautiful photography by Mark Eden Schooley, the article by quilt expert Dr Sue Marks outlines the old Chinese practice of making ‘Ge Ba’, a type of textile collage. With up to 15 fabric layers held together with rice glue, the resulting pieces (roughly 40 x 60 cm) were pretty tough, and were cut up to sole shoes!

All kinds of fabrics scraps were used to make Ge Ba, anything worn out or no longer of use, old embroideries and even propaganda cloth. Perhaps they can be seen as a Chinese version of Japanese boro.

I think you’ll see why I love them. The compositions are striking textural abstracts, in much the same vein as boro.

Ge Ba collage

Image: Selvedge blog, Going Going Ge Ba, 27 September 2017

The other article I wanted to mention is also a Selvedge one. Painting with Wool, on their blog of September 27, features American textile artist Channing Hansen‘s organic knitted works. This guy is wild! His complicated compositions are made of various natural fibres he dyes himself, patch-knitted in rambling formations. His work process must be so frenzied!

Channing Hansen Marc Selwyn Fine Art

Image: Marc Selwyn Fine Art

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Image: Selvedge blog, Knitting DNA, 16 June 2017

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Image: Selvedge blog, Painting with Wool, 27 September 2017

Feeling inspired? Pretty amazing work, don’t you think?

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