Art spaces, contemporaryart, Exhibitions, Galleries, Textiles, upcycling, workshops

Exhibition reminder and a special workshop offer…

 

Only a few days to go until my exhibition Stories We Tell Ourselves opens at 541 Art Space. I hope you can come.

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To complement the exhibition I’ll be running two three-hour stitch workshops on Saturday 8th and Saturday 22nd September.

541 Art Space is very generously offering my subscribers a 20% discount on the price of these sessions. All you need to do is click on this link to book. When purchasing your ticket click “enter promotional code” and enter the promotion code “RHONDA” to claim your 20% discount.

Here are the workshop details:

Stories We Tell Ourselves stitch workshops

Saturday 8th September, 12-3 pm (includes afternoon tea)
Saturday 22nd September,12-3 pm (includes exhibition closing drinks)

At 541 ART SPACE, Level 1, 541 Kent Street Sydney

Spend an afternoon stitching an abstract artwork that reflects your own unique story. You are encouraged to bring along any personal or used fabric or garments that are meaningful to you in some way (that you won’t mind cutting up). We’ll explore shape, colour, composition and memory to make a special piece of art or an experimental piece that will expand your creativity that little bit more.

All equipment and materials will be provided, including a selection of fabrics if you forget to bring some of your own.

Bookings are essential. Cost $25 + booking fee.

For more information please email 541artspace_programs@nanhaimedia.com

I hope to see you at this Friday’s opening (or at one of the workshops)!
All the best,

 

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Inspiration, Quotes, Stocktaking, Studio practice

Thinking, reflecting, digging

Sometimes it’s good to revisit favourite or resonant quotes when in contemplative mode or in the thick of studio work. You can get lost in your own world when busy in the studio but it’s good to remind yourself why you work there in the first place.

Searching for your voice, the tweak that will give the work its edge, the reality of what you’re trying to say: these are the things you dig for, work for, explore for.

You might already be familiar with these but it never hurts to read them again:

Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing.

Georgia O’Keeffe

Hmm… thanks Georgia.

 

Art is a way of recognizing oneself.

Louise Bourgeois

Agreed Louise.

 

Art is restoration: the idea is to repair the damages that are inflicted in life, to make something that is fragmented – which is what fear and anxiety do to a person – into something whole.

Louise Bourgeois

Yes. I like this.

 

Art is the concrete representation of our most subtle feelings.

Agnes Martin

Of course.

 

Art is the only way to run away without leaving home.

Twyla Tharp

Thank God for escape routes.

 

There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is not your business to determine how good it is nor how valuable nor how it compares with other expressions. It is your business to keep it yours clearly and directly, to keep the channel open.

Martha Graham

I just love this one Martha.

 

And here are a few images of works in progress. More old stuff, memories, trying to make sense of things…

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These are some of the works I’m getting ready for my solo show in September. I’ll let you know the details in a later post.

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Residencies, Studio practice, upcycling, workshops

The Coal Loader: industrial artist studio residency 2018

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This week I begin a ten month artist residency at the Coal Loader Centre for Sustainability at Balls Head, Waverton in Sydney. A beautiful industrial site overlooking Sydney Harbour and situated next to HMAS Waterhen, it’s a tranquil, lush and inspiring place to work and explore.

If I don’t get too distracted by the views.

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I’m looking forward to exploring the industrial remnants and history of this unique site that serves as a much-loved community resource, in what has to be one of the most incredible locations for an artist-in-residence studio. The industrial features are everywhere – even the studio floor.

I’ll be working with old, used fabrics and other materials, reflecting on the influences of the site’s industrial and commercial history, its surviving architectural elements, and the juxtaposition with its current use.

There will be a public program including a monthly open studio and several workshops throughout the year, so the public can pop in for a chat and see what I’m working on, or learn some new skills if so inclined.

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Here’s a link you might be interested in with some details of the site. In a future blog I’ll add another link to the public programs page when the workshops and open studios have been finalised.

So drop around and say hi, and check out the community vegetable gardens, beautiful harbour views, great cafe (opposite the studio) and the chicken coop.

And don’t forget all that rust, those evocative tunnels, and that crumbly wharf – all begging to be photographed and explored.

 

 

 

North Sydney Council are gratefully acknowledged for the provision of the Coal Loader Artist Studio.

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Art spaces, Kids, Textiles, upcycling, workshops

New classes, new art centre

It’s been a full-on start to 2018. New workshops are planned, a refurbished art centre I’m involved with is nearing completion, and I have new work in development for exhibitions in the second half of the year.

Firstly, its amazing to see the progress of the refurbishment of a building in my local area (Lane Cove in Sydney) for a creative art centre where both practitioners and community can make,  practice, and  explore their creative potential. As a member of the Centrehouse Management Committee and its refurbishment sub-committee, it has been a bit of a long slog getting the new Gallery Lane Cove + Creative Studios building happening.

But this week’s site visit has made it all seem within reach at last. (Big pats on the back for all the fantastic committee members and Lane Cove Council staff who have made this happen!).

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The huge, light-filled painting and drawing studio.

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The textile studio.

With studios that will accommodate painting and drawing classes, textile practice, printmaking and ceramics, as well as space for practising visiting artists, the new centre will replace the old Centrehouse Community Art Centre facilities and be located on two floors beneath the existing (and recently renovated) Gallery Lane Cove.

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One of the artist-in-residence spaces.

On track to open mid year, the centre will be a welcome addition to the fast-developing northern Sydney region. Stay tuned for news about all the opening events!

I also have some new workshops coming up in the next couple of months I want to let you know about. Click on the links for more information and bookings.

Friday 23 March

Stitch Drawing on Fabric and Paper

Creating Wellbeing Program (free workshop), North Sydney Community Centre

 

Wednesday 11 April

Looking at Water: Memory Loss and Dementia Art Session

Kirribilli Neighbourhood Centre

 

Thursday 12 April

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Boro Bag Workshop for Adults

Workshop Arts Centre

 

Monday 16 April

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Slow-Stitch Apron Workshop for kids (course #95)

Ku-Ring-Gai Arts Centre

 

Wednesday 18 April

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Making Memories with my Grandchild Workshop

Art Space on the Concourse, Chatswood

More details to follow…

 

Thursday 19 April

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Slow-Stitch Tote Bag Workshop for kids

Workshop Art Centre

 

Monday 23 April

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Slow-Stitch Apron Workshop for kids (course #108)

Ku-Ring-Gai Arts Centre

 

Thursday 26 April

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Slow-Stitch Tote Bag Workshop for kids

Workshop Art Centre

 

Can’t wait to see you or your kids at one of the workshops!

 

 

 

 

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Artists, Inspiration, Studio practice, Textiles, upcycling

Fragments and Patches

I want to share with you visual art and textile lovers a couple of intriguing articles I’ve come across of late.

The first is a piece in issue number 77 of Selvedge magazine, Keeping Body and Soul Together. If you don’t have access to a print copy you can see an abbreviated version of the article here, under the title Going Going Ge Ba. With the most beautiful photography by Mark Eden Schooley, the article by quilt expert Dr Sue Marks outlines the old Chinese practice of making ‘Ge Ba’, a type of textile collage. With up to 15 fabric layers held together with rice glue, the resulting pieces (roughly 40 x 60 cm) were pretty tough, and were cut up to sole shoes!

All kinds of fabrics scraps were used to make Ge Ba, anything worn out or no longer of use, old embroideries and even propaganda cloth. Perhaps they can be seen as a Chinese version of Japanese boro.

I think you’ll see why I love them. The compositions are striking textural abstracts, in much the same vein as boro.

Ge Ba collage

Image: Selvedge blog, Going Going Ge Ba, 27 September 2017

The other article I wanted to mention is also a Selvedge one. Painting with Wool, on their blog of September 27, features American textile artist Channing Hansen‘s organic knitted works. This guy is wild! His complicated compositions are made of various natural fibres he dyes himself, patch-knitted in rambling formations. His work process must be so frenzied!

Channing Hansen Marc Selwyn Fine Art

Image: Marc Selwyn Fine Art

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Image: Selvedge blog, Knitting DNA, 16 June 2017

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Image: Selvedge blog, Painting with Wool, 27 September 2017

Feeling inspired? Pretty amazing work, don’t you think?

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Art classes, Japan, Kids, repair, Textiles, upcycling, workshops

New Workshops for Kids

I just wanted to let you all know about my upcoming kids’ school holiday workshops. Book your crafty, stitch-crazy kids in for some imaginative and skill-building creative time!

STITCHDRAWING: 10-4, Friday 29th September or Friday 6th October, Ku-ring-Gai Art Centre

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This is a new workshop that will build manual and imaginative skills. Here’s what we’ll be up to:

Share in an imaginative day of stitch drawing: making marks and drawing on cloth. We’ll use some basic hand stitches with different thread to create texture, line and pattern. Use your wild imagination to make an experimental abstract or figurative picture. Take home your own original cloth drawing.

Book here

JAPANESE BORO CUSHION WORKSHOP: 10-4, Thursday 5th October, Workshop Arts Centre

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This is a really fun workshop. Like collage with stitching. And the kids will get lots of recycling ideas!

Ideal for ages 8+ years. Spend a day making hand sewn Japanese boro style cushions! We’ll use reclaimed Japanese fabrics, denim and reused cloth to stitch our creations. Cost includes all materials.

Book here

I’m always developing workshop ideas, so if you’re interested in other workshops or have ideas of what you’d like to learn, please get in touch.

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Artists, Exhibitions, Experiments, Studio practice, Textiles, upcycling

Sighting Memory exhibition

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After several months of experimentation, studio rearrangement and all kinds of work disruption my new exhibition is about to open. It’s a joint show of textile based work with my friend (an amazing and very sensitive artist) Sepideh Farzam.

Sighting Memory will be opening at Gaffa in Sydney’s CBD on Thursday 17 August, from 6 to 8 pm. I hope you’ll be able to drop in and have a look if you’re in town. The show runs from 17 to 28 August and is open Mondays to Saturdays (Gaffa: 1st floor, 281 Clarence Street, Sydney 2000, T: 9283 4273).

SIGHTING MEMORY invite 2 copyHere is a bit of info about the exhibition:

Identity and relationships, memory and emotion: some of the most explored themes in contemporary society. Observations of human relationships: deep, body-embedded memories of personal experiences. Combine these subjects with the re-use of old textiles and you have a contemplative and sensitive appraisal of life.

Sighting Memory is a joint exhibition of new work by artists Rhonda Pryor and Sepideh Farzam.

Human beings long for connection. The ability of cloth to hold traces of direct personal contact make it perfect memory stuff. It can hold traces of body shape, show unique signs of wear by its user, even bear an individual’s DNA. It’s a fascinating substance to work with.

While working across several disciplines as artists, we’re drawn to the significance of textiles and their ability to trigger a memory response. Fragments of old, worn clothing combine with other materials to draw attention to the uniqueness and intimacy of human ties and the feelings they spark. With a keen sensitivity to observation, Sighting Memory explores these themes in an abstract way, addressing identity and referencing portraiture.

Here are a few images of my experimentation and process leading up to the exhibition:

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Each work has been developed using Belgian linen and old textiles, in a reference to painting, relationships and personalities embedded in memory. I like to think of these works as ‘portraits’. Not everyone’s definition, I know, but I think its time for an update.

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Each frame has been individually hand painted to tie in with their ‘portrait’.

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Please pop in to see the show if you get the chance. I’d love to know what you think.

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