Art classes, Art spaces, contemporaryart, Exhibitions, Galleries, Textiles, upcycling, workshops

Mid-show reminder: Stories We Tell Ourselves

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Hello again.

My exhibition Stories We Tell Ourselves is in the middle of its run at 541 Art Space (Level 1, 541 Kent Street, Sydney, www.541artspace.com.au). If you haven’t yet seen it, you’ll need to get a move on. It closes on Saturday September 22.

I’m running one more textile workshop on the final day. If you’re interested in coming along please contact the gallery: 541artspace_program@nanhaimedia.com (closing drinks are included!).

In the meantime here are some images from the opening night.



Much gratitude goes to Alison Clark, Team Leader Arts and Culture North Sydney Council, for her thoughtful and eloquent opening speech.

Below are a couple of images from the first workshop. Mounds of linen, textile scraps and yarn – a lovely way to spend a spring afternoon!


I hope you get to see the exhibition. I’d love to know what you think.

Warm wishes,

www.rhondapryor.com

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Art spaces, contemporaryart, Exhibitions, Galleries, Textiles, upcycling, workshops

Exhibition reminder and a special workshop offer…

 

Only a few days to go until my exhibition Stories We Tell Ourselves opens at 541 Art Space. I hope you can come.

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To complement the exhibition I’ll be running two three-hour stitch workshops on Saturday 8th and Saturday 22nd September.

541 Art Space is very generously offering my subscribers a 20% discount on the price of these sessions. All you need to do is click on this link to book. When purchasing your ticket click “enter promotional code” and enter the promotion code “RHONDA” to claim your 20% discount.

Here are the workshop details:

Stories We Tell Ourselves stitch workshops

Saturday 8th September, 12-3 pm (includes afternoon tea)
Saturday 22nd September,12-3 pm (includes exhibition closing drinks)

At 541 ART SPACE, Level 1, 541 Kent Street Sydney

Spend an afternoon stitching an abstract artwork that reflects your own unique story. You are encouraged to bring along any personal or used fabric or garments that are meaningful to you in some way (that you won’t mind cutting up). We’ll explore shape, colour, composition and memory to make a special piece of art or an experimental piece that will expand your creativity that little bit more.

All equipment and materials will be provided, including a selection of fabrics if you forget to bring some of your own.

Bookings are essential. Cost $25 + booking fee.

For more information please email 541artspace_programs@nanhaimedia.com

I hope to see you at this Friday’s opening (or at one of the workshops)!
All the best,

 

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Art classes, Artists, contemporaryart, Exhibitions, Galleries, mending, repair, Studio practice, Textiles, upcycling, workshops

Advance exhibition notice. Save the date!

Hello there.

I want to tell you about my upcoming solo exhibition Stories we tell ourselves. With the crazy-busy lives we all lead these days I thought I’d give you time to schedule it into your diaries if you can.

This body of work examines the relationship between worn and discarded cloth, their poignant associations with memory, and the narratives they generate. Each piece represents a unique story, imperfectly remembered, translated into ‘pictures’ of moments in time, and readings of relationships.

Here are the details:

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And here are a few images of work in progress. I hope they pique your curiosity!

I’ll be running a couple of textile art making workshops during the exhibition too. I’ll post more details closer to the opening (August 31).

Warm wishes,

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Rhonda Pryor, Reminders, installation
Art classes, Exhibitions, Textiles, workshops

Reminders resurrected

I’m delighted to re-exhibit my 2013 work Reminders in the Inside Outside Sculpture Plinth in North Sydney’s Civic Park. The work is now configured differently inside its new glass display case: less that half its original size and without the rusty wire roses.

This piece, originally made as a site specific installation for the Hidden exhibition at Rookwood Cemetery, employs the concept of the veil, alluding to the crossing from life to the state of death. The film of sheer organza is embroidered with handwritten words and phrases, obtained from the personal correspondence of various members of my  family, that relate to the loss of loved ones.

Here are some day and night photographs in its new display location.

The original work wrapped around a tree and was staked to the ground with rusty wire twisted into the shape of roses.

The newly configured work will be on display in Civic Park for the next few weeks.

On another note: the Public Programs for my residency at the Coal Loader Centre for Sustainability have been finalised. You can click on this link to see when Open Studio days are scheduled, and check out the free workshops I’m offering for adults and children.

For a more comprehensive update on planned classes and workshops at various locations please check out this link to the News section of my website. I’m now offering an adults’ term class in creative processes at Ku-Ring-Gai Art Centre, as well as an assortment of stand alone workshops.

I hope you get to see Reminders while it’s on show in North Sydney. I’d love you to get in touch and let me know what you think!

 

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Artists, Exhibitions, Galleries, Textiles, upcycling

It’s a wrap

Well, Sighting Memory has finished and its time to head back into the studio. The exhibition, with Sepideh Farzam at Gaffa Gallery in Sydney, was a fantastic experience. The gallery team at Gaffa are great to work with, and it was a real pleasure working with another artist who has such an affinity for cloth and feeling, and who produces such sensitive, unique work.

For those of you who were unable to make it to the gallery, you can see images of the works below. Most of these were taken by the very talented Marty Lochmann.

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A Close Marriage, 2017, reclaimed clothing, silks, pearl beads, thread, 203 x 110 cm. Photograph: Marty Lochmann.

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A Close Marriage, detail. Photograph: Marty Lochmann.

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Sighting Memory, installation view. Photograph: Marty Lochmann.

As mentioned in my previous post the exhibition focused on textiles and their ability to store and convey memory, a theme characterising both our practices.

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Familial, (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

My framed works were representations of people and relationships close to me. Using old textiles that struck me as meaningful and memory-charged, together with thread or yarn, I stitched and abstracted ‘portraits’. The combination of Belgian linen and hand painted frames make specific reference to the tradition of portrait painting.

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Verandah (detail), 2017, Belgian linen, reclaimed textiles, thread, hand painted timber frame, 45 x 35 cm. Photograph: Marty Lochmann.

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A Close Marriage, and Sepideh Farzam’s Principles, 2017, fabric, vest and thread, 91 x 114 cm.

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Sepideh Farzam’s Don’t Leave Me Alone, 2017 (left), fabric, pullover and thread, 58 x 148 cm, and Insomnia, 2017 (right), doormat, fabric and thread, 60 x 56 x 53 cm.

Sepideh’s work concentrates on female perspectives and extensively uses hand stitching. Her amazing work, Insomnia (pictured below), is an incredible piece – sadly, my photograph doesn’t do it justice.

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Sepideh Farzam’s Insomnia.

If you’d like to be informed of upcoming exhibitions and events please get in touch via the link at the top of the page. I’d love to meet you at one of these events.

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The artists. Photograph: Jon Johannsen.

 

 

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Artists, Exhibitions, Experiments, Studio practice, Textiles, upcycling

Sighting Memory exhibition

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After several months of experimentation, studio rearrangement and all kinds of work disruption my new exhibition is about to open. It’s a joint show of textile based work with my friend (an amazing and very sensitive artist) Sepideh Farzam.

Sighting Memory will be opening at Gaffa in Sydney’s CBD on Thursday 17 August, from 6 to 8 pm. I hope you’ll be able to drop in and have a look if you’re in town. The show runs from 17 to 28 August and is open Mondays to Saturdays (Gaffa: 1st floor, 281 Clarence Street, Sydney 2000, T: 9283 4273).

SIGHTING MEMORY invite 2 copyHere is a bit of info about the exhibition:

Identity and relationships, memory and emotion: some of the most explored themes in contemporary society. Observations of human relationships: deep, body-embedded memories of personal experiences. Combine these subjects with the re-use of old textiles and you have a contemplative and sensitive appraisal of life.

Sighting Memory is a joint exhibition of new work by artists Rhonda Pryor and Sepideh Farzam.

Human beings long for connection. The ability of cloth to hold traces of direct personal contact make it perfect memory stuff. It can hold traces of body shape, show unique signs of wear by its user, even bear an individual’s DNA. It’s a fascinating substance to work with.

While working across several disciplines as artists, we’re drawn to the significance of textiles and their ability to trigger a memory response. Fragments of old, worn clothing combine with other materials to draw attention to the uniqueness and intimacy of human ties and the feelings they spark. With a keen sensitivity to observation, Sighting Memory explores these themes in an abstract way, addressing identity and referencing portraiture.

Here are a few images of my experimentation and process leading up to the exhibition:

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Each work has been developed using Belgian linen and old textiles, in a reference to painting, relationships and personalities embedded in memory. I like to think of these works as ‘portraits’. Not everyone’s definition, I know, but I think its time for an update.

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Each frame has been individually hand painted to tie in with their ‘portrait’.

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Please pop in to see the show if you get the chance. I’d love to know what you think.

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Experiments, Paper, repair, Studio practice, Textiles

Studio work: chaos, conflict, and the path to resolution

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I’ve been spending time in the studio working on some paper pieces – with cloth and text   too, of course – reflecting on chaos, conflict and resolution.

It seems to be part of an evolving theme I’m exploring about my dad. Always having thought of him as a fairly difficult man, with moments of intense love and attachment, I have for many years thought about examining his relationship with his family and his love of the Papua New Guinean people – his comrades during World War II.

Dad trained members of PNG police force during the war, and recorded, in Pidgin English, testimonies of the native people affected by Japanese war crimes after its end. You’ll see some of his handwritten and typed records in these photos.

Rather than embarking on a comprehensive analysis of his life, I’m finding myself drawn to examining bits, vignettes if you like, that catch in my memory. And the more I do this the more I see parallels with contemporary life, and sometimes specifically with my own.

In the contemporary world Japan is a major trading partner and friend of Australia; a remarkable contrast between Dad’s memories and mine. I love the Japanese, their culture, art practices and traditions. And the contrasts between the WWII era and now are both strikingly different and proof of the possibilities of reconciliation.

Having dug up some lovely vellum I bought in New York twenty years ago (in my painting days – and I’d always thought it too beautiful to use), I’m combining it with a variety of rice papers and vintage threads.

A selection of stitches that have their own particular meanings in this context: a ‘mattress’ surgical stitch, running/sashiko, and the stitch method used to repair Japanese sake bags (I don’t know if it has a name, but please let me know if you do) are really important to the work.

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Vintage Japanese rice paper from notebooks and ledgers.

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Burnt Arches paper, surgical stitching in vintage linen thread, handwritten text.

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Placement of layers of hand dyed muslin, like bandages, over the work, ready for stitching.

An attempt at mending.

I’m hoping to get at least one piece completed this week, so will show you the results in due course…

 

 

 

 

 

 

 

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