Art classes, Japan, repair, Textiles, upcycling, workshops

Workshop wonders

IMG_5700I gave a one-day Japanese Boro Bag Workshop to some really delightful and enthusiastic kids this week at Ku-ring-gai Art Centre.

I was amazed at how quickly some of the kids grasped the concept as well as handling needle and thread.

One little grade three girl did the neatest backstitch for the seams (have a look below)!

fullsizeoutput_cf5

fullsizeoutput_cf4We used denim from old jeans, calico, old Japanese indigo-dyed cotton, an old indigo-stencilled yukata and a few other bits and pieces, and stitched with linen thread, sashiko thread and fine string.

They were very receptive to the idea of using old clothes in this way, and we talked about the aesthetic appeal of combining these fabrics with a limited palette and varying patterns and textures.

IMG_5835

fullsizeoutput_cfaI pre-sewed the bag linings to save time, and sensibly, brought the sewing machine so I could hurry things up towards the end of the day, but the kids were keen to hand sew the side seams.

I’ll think I’ll need to make the workshop a two-day one next time.

fullsizeoutput_cf6The results were just beautiful!

And the kids learned so much too.

Always a bonus!

Standard
Art classes, Paper, Photographs, Textiles, Uncategorized, workshops

Stitching Memories workshops: the debrief

tip-truck

Two full classes and a hugely enthusiastic tribe. What more can you ask for?

Running the Stitching Memories workshops at Lane Cove Library was delightful. Its always an amazing thing to see what people do with their work: all have different approaches based on a photograph of their own selection from the Library’s historical image collection.

workshop-view

workshop

I showed how to transfer a design (or text) onto a photograph, and various ways to stitch, showing my own examples and those of other artists, always encouraging participants to be free, non-judgmental and experimental.

Some people chose images reminding them of their families or homes, others chose randomly, while others decided on imagery completely unfamiliar to them.

lady-in-garden

All the examples here are works-in-progress. A two and a half hour session really just provides an introduction to the possibilities.

Sometimes just a touch of stitching here and there is enough to make a quirky statement. The addition of text can change the entire reading of an image, and over-the-top stitchery is certainly not out of place in this workshop!

And did I mention the camaraderie involved in these sessions?

house

church

I have one more session in this series coming up at Gallery Lane Cove on Saturday March 11, with a slightly different focus. The Stitching Your Memories workshop is free, and will be running in conjunction with the exhibition Translating Displacement, which shares stories of former refugees, asylum seekers, citizens and non-citizens whose families fled war and violence to settle in Australia. If you’d like to book please phone 61 2 9428 4898 or email info@gallerylanecove.com.au.

We’d love to see you there.

 

 

Standard
Art classes

Stitching Memories workshops in February

r-pryor_news_5-38mb-copy

Please join me for one of the free Stitching Memories workshops being offered by Lane Cove Library in February. Develop new art making skills while we explore memory and image making using a selection of historical photographs from the Library’s collection. Using text, hand stitching and cloth we’ll create new images from old, superimposing our contemporary lives onto photographic images of place and time from another era.

There are a few spots left so reserve your place by phoning 61 2 9911 3634. The details are:

Saturday 11 & 18 February

1:00pm – 3:30pm

at Lane Cove Library,

Library Walk, Longueville Rd, Lane Cove, Sydney.

I hope you can come and enjoy a fun afternoon with us while sharing your own ideas and skills. You’ll be in good company!

stitch contemporary art photography

 

Standard
Japan, Residencies, workshops

Investigating pigment, process and imperfection: authentic Japanese textile methods (part 2)

Mokume at studio

The finished mokume piece drying in the sun.

Mokume. A Japanese term for a woodgrain effect that is insanely time consuming but so beautiful on completion that it sucks you in to do it again (and again).

My residency at Japanese Textile Workshops in May opened my eyes to a few things. First – the homework (to be done before arrival in Japan). Using a lovely lightweight crinkled linen the chosen design had to be marked out on the cloth with a special marker pen (that doesn’t affect the indigo). A brief Mokume prep rundown:

1. Draw lines across the cloth 2 cm apart, and design lines over that.

2. Use a double-threaded running stitch along the drawn lines with long ‘skip’ threads over the design shapes. BIG knots at each selvedge to prevent the threads pulling out.

3. Stitch three lines of running stitch between the 2 cm lines (yes, 5 mm apart). Varying the stitch length and distance between the rows will give a more natural woodgrain appearance.

4. Lose count of the hours (weeks) you’ve spent stitching. Be amazed at the mesmerising effect of the repetition.

5. Fold up neatly, put in suitcase with all the other projects and fly to Japan (if that’s where you’re going to finish the project of course).

Mokume stitch close up 3

Mokume stitched close up

6. Arrive in Japan (see above). Carefully pull the threads down one side of the cloth as tightly as you can. You’ll find you get some intriguing sculptural forms appearing.

Mokume pulled dry

Mokume pulled wet 1

7. Soak the entire thing in water (it must be thoroughly wet) and squeeze out the excess. Now pull those threads even more to make them as tight as possible. Tie tight, big knots with several threads together to form a tight, fairly rigid form. Cut off excess threads (they’ll just get tangled otherwise).

8. Dip in the indigo bath. I did ten dips, oxidising between each. Unfortunately my gloves leaked on this occasion but I did manage to get it off my rings without much trouble. It was a different story for my hands and nails though….

Blue hand

Mokume finished

Linen takes up the indigo beautifully. A close-up of the finished goods – and the intricate woodgrain pattern. A very inky piece with lovely bleeds.

 

 

This project has been assisted by the Australian Government through the Australia council for the Arts, its arts funding and advisory body

aca_logo_horizontal_small_rgb-543223f8c880e

I’d also like to acknowledge the assistance of the Copyright Agency Creative Individuals Career Fund for this project

logo

 

Standard
Artists, Exhibitions, workshops

A workshop with the floral sculpture queen – Tracey Deep

I spent a sublime morning playing around with native flora at Tracey Deep’s floral sculpture workshop at Penrith Regional Gallery recently. Mixing flowers, sticks, bark, foliage, burnt banksias and other fire-branded natural flora we created enormous delicious compositions before having a guided tour of her exhibition Desert Song.

I was keen to do the workshop because of my interest in natural dyeing. The geometry of the compositions and the diverse specimens were a delight, and it was a real treat to be surrounded by so much native bush while we worked. You can see for yourself how abundant it was! The fragrances were so subtle and lovely.

Desert Song runs until 22 November. I highly recommend you catch it before it closes. A beautiful collection of sculptures with natural and found bits and pieces.

Penrith Regional Gallery


IMG_0494

IMG_0504

IMG_0500

IMG_0513

IMG_0531

Here are a few of Tracey’s sculptures. The exhibition shows work from the past ten years of her practice. Beautiful, don’t you think?

IMG_0529 (1)

IMG_0524

IMG_0527

Standard
Exhibitions, Residencies

Placemarking: the exhibition and workshops

Here are some of the photographs by Ian Hobbs of my Placemarking exhibition last month at Willoughby Museum. Special thanks to Ian and to Jacky Talbot from Willoughby City Council – a great art facilitator and colleague.

W_Bienalle_2015_38

W_Bienalle_2015_32

W_Bienalle_2015_19

W_Bienalle_2015_97 copy

W_Bienalle_2015_102

W_Bienalle_2015_96

W_Bienalle_2015_49

W_Bienalle_2015_105

These are photographs of one of the workshops I conducted in conjunction with the exhibition. Embroidering text onto photographs, we used a variety of threads, yarns and textiles to transfer handwriting onto photographic images from the museum’s lace collection. We had a really enthusiastic bunch who made some lovely works.
IMG_0259IMG_0253

IMG_0257

IMG_0255

Standard